La dernière de Glou...
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La dernière de Glou...
I know Jonas for a long time. My manager gave me a video with him and Cecilia Bartoli. They sung in 2002 in Paisiello’s "Nina." I was looking for a new tenor for "La Traviata" at the Metropolitan Opera, and recently we needed someone for the "Rondine" at Covent Garden. I told Peter Katona, "Let’s get this young tenor!" And he made his debut in London and later in New York and also at La Scala. I have driven his career and convinced him to leave Zurich and to make a big career. Even as we recorded later, "Madama Butterfly" for EMI, it was not so easy to convince the record company to commit to such a role as Pinkerton […]. I am happy that I had the right ear and the right feeling! Incidentally, it was similar to Roberto Alagna: I notice quickly if someone has a special voice.
La follissima- Papayoulélé
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Re: La dernière de Glou...
La follissima a écrit:I know Jonas for a long time. My manager gave me a video with him and Cecilia Bartoli. They sung in 2002 in Paisiello’s "Nina." I was looking for a new tenor for "La Traviata" at the Metropolitan Opera, and recently we needed someone for the "Rondine" at Covent Garden. I told Peter Katona, "Let’s get this young tenor!" And he made his debut in London and later in New York and also at La Scala. I have driven his career and convinced him to leave Zurich and to make a big career. Even as we recorded later, "Madama Butterfly" for EMI, it was not so easy to convince the record company to commit to such a role as Pinkerton […]. I am happy that I had the right ear and the right feeling! Incidentally, it was similar to Roberto Alagna: I notice quickly if someone has a special voice.
maintenant ils sont prévenus les nouveaux ténors..... pour débuter une carrière il faut coucher avec Glou
Enirac- Youpkaidi aida
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Re: La dernière de Glou...
Je comprends qu'elle se fasse plaquer, vivre avec une telle mégalo, ça ne doit pas être simple !
Babaorome- Papayoulélé
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Re: La dernière de Glou...
La follissima a écrit:I know Jonas for a long time. My manager gave me a video with him and Cecilia Bartoli. They sung in 2002 in Paisiello’s "Nina." I was looking for a new tenor for "La Traviata" at the Metropolitan Opera, and recently we needed someone for the "Rondine" at Covent Garden. I told Peter Katona, "Let’s get this young tenor!" And he made his debut in London and later in New York and also at La Scala. I have driven his career and convinced him to leave Zurich and to make a big career. Even as we recorded later, "Madama Butterfly" for EMI, it was not so easy to convince the record company to commit to such a role as Pinkerton […]. I am happy that I had the right ear and the right feeling! Incidentally, it was similar to Roberto Alagna: I notice quickly if someone has a special voice.
C'est pas la première fois qu'elle le dit, en plus... C'est qu'elle y tient à sa belle histoire!
Gaston- Papayoulélé
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Re: La dernière de Glou...
Oui, mais là il y a du neuf. Jusqu'à présent elle l'avait découvert. Maintenant elle est son manager !
La follissima- Papayoulélé
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Re: La dernière de Glou...
La follissima a écrit:Oui, mais là il y a du neuf. Jusqu'à présent elle l'avait découvert. Maintenant elle est son manager !
de la meuf...
Babaorome- Papayoulélé
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Re: La dernière de Glou...
...un...
Gaston- Papayoulélé
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Re: La dernière de Glou...
Gaston a écrit:...un...
on le voit venir...
Babaorome- Papayoulélé
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