La dernière de Glou...

I know Jonas for a long time. My manager gave me a video with him and Cecilia Bartoli. They sung in 2002 in Paisiello’s "Nina." I was looking for a new tenor for "La Traviata" at the Metropolitan Opera, and recently we needed someone for the "Rondine" at Covent Garden. I told Peter Katona, "Let’s get this young tenor!" And he made his debut in London and later in New York and also at La Scala. I have driven his career and convinced him to leave Zurich and to make a big career. Even as we recorded later, "Madama Butterfly" for EMI, it was not so easy to convince the record company to commit to such a role as Pinkerton […]. I am happy that I had the right ear and the right feeling! Incidentally, it was similar to Roberto Alagna: I notice quickly if someone has a special voice.

La follissima a écrit:I know Jonas for a long time. My manager gave me a video with him and Cecilia Bartoli. They sung in 2002 in Paisiello’s "Nina." I was looking for a new tenor for "La Traviata" at the Metropolitan Opera, and recently we needed someone for the "Rondine" at Covent Garden. I told Peter Katona, "Let’s get this young tenor!" And he made his debut in London and later in New York and also at La Scala. I have driven his career and convinced him to leave Zurich and to make a big career. Even as we recorded later, "Madama Butterfly" for EMI, it was not so easy to convince the record company to commit to such a role as Pinkerton […]. I am happy that I had the right ear and the right feeling! Incidentally, it was similar to Roberto Alagna: I notice quickly if someone has a special voice.

maintenant ils sont prévenus les nouveaux ténors..... pour débuter une carrière il faut coucher avec Glou

Je comprends qu'elle se fasse plaquer, vivre avec une telle mégalo, ça ne doit pas être simple !

La follissima a écrit:I know Jonas for a long time. My manager gave me a video with him and Cecilia Bartoli. They sung in 2002 in Paisiello’s "Nina." I was looking for a new tenor for "La Traviata" at the Metropolitan Opera, and recently we needed someone for the "Rondine" at Covent Garden. I told Peter Katona, "Let’s get this young tenor!" And he made his debut in London and later in New York and also at La Scala. I have driven his career and convinced him to leave Zurich and to make a big career. Even as we recorded later, "Madama Butterfly" for EMI, it was not so easy to convince the record company to commit to such a role as Pinkerton […]. I am happy that I had the right ear and the right feeling! Incidentally, it was similar to Roberto Alagna: I notice quickly if someone has a special voice.

C'est pas la première fois qu'elle le dit, en plus... C'est qu'elle y tient à sa belle histoire!

Oui, mais là il y a du neuf. Jusqu'à présent elle l'avait découvert. Maintenant elle est son manager !

La follissima a écrit:Oui, mais là il y a du neuf. Jusqu'à présent elle l'avait découvert. Maintenant elle est son manager !

de la meuf...

...un...

Gaston a écrit:...un...

on le voit venir...